Far from common forms of photography, Gaumé's Automorphoses epitomized distortions from diverse cities despite the fact the author chooses not to retouch them. After being featured in publications and exhibits on various continents, the Automorphoses are still the biggest corpus within Pierrick Gaumé's artwork since 2006. With the 2020 pandemic and lockdowns came his completion of The Still Escape series, whose low light sensitivity to confined spaces took him to the final of the #Virtually01 contest in 2022.​